What We Tried to Bury Grows Here

Zabalbeascoa brings together family lore and mountains of research to paint a kaleidoscopic portrait of the Spanish Civil War, particularly its impact on the people of Spain's Basque region. n--Kate Tuttle, The Boston Globe n nA masterly crafted and haunting tale of survival, longing, and empathy, set during the Spanish Civil War. In late 1936, eighteen-year-old Isidro Elejalde leaves his Basque village in Northern Spain, spurred to join the fight to preserve his country's democracy from the insurrectionists by the rousing words of a political essayist. Months earlier, Spanish generals launched a military coup to overthrow Spain's newly elected left-wing government. They assumed the population would welcome the coup, but throughout the country people like Isidro remained loyal to the ideals of democracy, and the Spanish Civil War began in bloody earnest. In Bilbao, Mariana raises her two young children while, with her writing, she decries the fascist-backed coup attempt and their German and Italian allies, imploring the world to support democracy. As the Nationalist forces assault the country, Mariana and Isidro's lives intersect fleetingly, yet in meaningful and lasting ways. Through a chorus of voices--a female soldier in an all-male battalion, a reluctant conscript recently emigrated from Cuba, a young girl whose parents have abandoned her in order to fight against the fascists, among others--we follow Isidro and Mariana as they struggle to maintain their humanity in a country determined to tear itself apart. Julian Zabalbeascoa is a fierce and assured new talent, and What We Tried to Bury Grows Here is a remarkable feat of research and imagination, as well as a transcendent literary accomplishment. nDaring... In What We Tried to Bury Grows Here, almost two dozen narrators vie to convey the danger and uncertainty of life in a country where tomorrow you never knew who would throw you against the wall for the actions of today. We hear from priests and soldiers, mothers and children, prisoners and refugees. Amid the inevitable violence and horror, there are the equally inevitable heroes and villains, but for everyone the world has acquired 'an evil stink.' Mariana knows her compatriots have no choice but to fight on, yet she also knows that 'the war will make us unrecognizable to our former selves.' n--Alida Becker, The New York Times n nZabalbeascoa brings together family lore and mountains of research to paint a kaleidoscopic portr